Style and rap skills

Kool Moe Dee ranks Snoop at #33 in his book There's a God on the Mic, and says he has "an ultra-smooth, laidback delivery",^[41] and "flavor-filled melodic rhyming".^[42] Peter Shapiro describes Snoop's delivery as a "molasses drawl"^[43] and Allmusic notes his "drawled, laconic rhyming" style.^[9] Kool Moe Dee refers to Snoop's use of vocabulary, saying he "keeps it real simple...he simplifies it and he's effective in his simplicity".^[44]

Snoop is known to freestyle some of his lyrics on the spot for some songs - in the book How to Rap, Lady of Rage says, "Snoop Dogg, when I worked with him earlier in his career, that's how created his stuff... he would freestyle, he wasn't a writer then, he was a freestyler,"^[45] and D.O.C. states, "Snoop's [rap] was a one take willy, but his shit was all freestyle. He hadn't written nothing down. He just came in and started busting. The song was "The Shiznit" - [that was all freestyle]. He started busting and when we got to the break, Dre cut the machine off, did the chorus and told Snoop to come back in. He did that throughout the record. That's when Snoop was in the zone then."^[46]

Peter Shapiro says that Snoop debuted on "Deep Cover" with a "shockingly original flow - which sounded like a Slick Rick born in South Carolina instead of South London"^[47] and adds that he "showed where his style came from by covering Slick Rick's 'La Di Da Di'".^[43] Referring to Snoop's flow, Kool Moe Dee calls him "one of the smoothest, funkiest flow-ers in the game".^[42] How to Rap also notes that Snoop is known to use syncopation in his flow to give it a laidback quality,^[48] as well as 'linking with rhythm' in his compound rhymes,^[49] using alliteration,^[50] and employing a "sparse" flow with good use of pauses.^[51]